Musical memories

That certainly didn't take as long as I thought it might. My original goal was to play in the classical Untertürkheimer Kantorei orchestra in December 2020. However, thanks in part to the lock-down but much more to my enthusiasm for the new instrument, I've made quite some progress with the violin. The Virtuoso Violinist posts very helpful tips on  Instagram  about implementing the Dounis Method when playing strings. I try to internalize - or at least try out - the ideas and get an idea for what challenges face me in the coming months and years. I was also lucky enough to run across a live living-room concert given by the incredible violinist Augustin Hadelich during the restrictive lock-down. When I watch such concerts online, I rarely stay with the canned performance more than two minutes but this time I was spell-bound. Never having heard of him or this concerti series before (mea culpa!), I began by trying to judge the performance from a critic's point of view. He...

Shostakovich 24 Preludes and Fugues,  Op. 87 I'm going to start writing about some of my favorite music and what it means to me, so watch out! Right now I'm listening to a copy of the 24 Preludes and Fugues by Dimitri Shots-of-kovich as played by the Russian pianist for whom he wrote them in 1950 after her Bach interpretation stunned the composer as he sat in the jury of the Leipzig Bach Piano Competition. He composed these marvelous pieces within four months, becoming more and more enthralled with the idea and the genre as he went. My history with the pieces: A girlfriend in college played piano really well, stunning me again and again with the cadenza from Shostakovich's First Piano Concerto whenever we'd go over to the music building together. Her sister played some of the Preludes and Fugues, which was about as much of a recommendation as I needed to pick up the sheet music a few years later. You see, I approach music through people. And so these blog post...

After two years of piano lessons with a nice old lady, I could read music and play pretty well, apparently, though I never practiced and eventually gave up at 10 because I enjoyed baseball, football and basketball better. Then in 1978 for Christmas I was given three books of Genesis sheet music and couldn't wait to get home every day and play the songs I loved so well. " Squonk " became my favorite piece and even my nickname among some friends. While I was at it, though, I would look through the piano bench for other music. I discovered Beethoven's "Moonlight" Sonata and played the first movement of that before I went off to college. At William and Mary I began lessons for a year with a man who started me over, so to speak, with the Bach Inventions and bits of Haydn sonatas (because I had books of those pieces already). He set me onto the Invention #8 in E Major "because it was jazzy". I guess I had played him some of my Genesis and he thought...

OK, let's get a bit rougher here. Shostakovich's piano music takes a back seat to his work for orchestra and even for string quartet, though he himself was a tremendous pianist and wrote quite a lot of music for his instrument. He felt he could say more by using a larger variety of instruments. I'll have to agree with Dmitri there. The year was 1984. I had just graduated from college with a German degree and wanted to get back to the old continent to enjoy long breakfasts with friends, have coffee and cake in the afternoons and go to concerts at night, all the while officially looking for a job in "international business". - whatever that might have meant. So I spent eight months back and forth between my old friends in Münster and my sister and new friends in Vienna. While in Münster I went back to the foreign students' office and visited the animated secretary, Frau Droste zu Senden, who let me sign up for a week-long DAAD bus trip to Berlin, which was the...